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Skagen Painters : ウィキペディア英語版
Skagen Painters

The Skagen Painters ((デンマーク語:Skagensmalerne)) were a group of Scandinavian artists who gathered in the village of Skagen, the northernmost part of Denmark, from the late 1870s until the turn of the century. Skagen was a summer destination whose scenery and quality of light attracted northern artists to paint ''en plein air'', emulating the French Impressionists—though members of the Skagen colony were also influenced by Realist movements such as the Barbizon school. They broke away from the rather rigid traditions of the Royal Danish Academy of Fine Arts and the Royal Swedish Academy of Arts, espousing the latest trends that they had learned in Paris. Among the group were Anna and Michael Ancher, Peder Severin Krøyer, Karl Madsen, Laurits Tuxen, Marie Krøyer, Carl Locher, Viggo Johansen and Thorvald Niss from Denmark, Oscar Björck and Johan Krouthén from Sweden, and Christian Krohg and Eilif Peterssen from Norway. The group gathered together regularly at the Brøndums Inn.
Skagen, in the very north of Jutland, was the largest fishing community in Denmark, with more than half of its population so engaged. Among the locals, fishermen were by far the most common subject for the Skagen painters. Skagen's long beaches were exploited in the group's landscapes; P.S. Krøyer, one of the best-known of the Skagen painters, was inspired by the light of the evening "Blue Hour", which made the water and sky seem to optically merge. This is captured in one of his most famous paintings, ''Summer Evening at Skagen Beach – The Artist and his Wife'' (1899). Although the painters had their own individual styles without any requirement to adhere to a common approach or manifest, one of their common interests was to paint scenes of their own social gatherings, playing cards, celebrating or simply eating together.
Michael Ancher drew attention to the attractions of the area when his ''Will He Round the Point?'' (1885) was purchased by King Christian IX. He married Anna Brøndum, the only member of the group from Skagen, who became a pioneering female artist at a time when women were not permitted to study at Denmark's Royal Academy. Today the Skagens Museum, founded in the dining room at Brøndum's Hotel in October 1908, hosts many of their works of art, some 1,800 pieces in total. Many of the them have been digitized under the Google Art Project and are accessible online. Related exhibitions continue to be held; in 2008, the Arken Museum of Modern Art in Copenhagen presented "The Skagen Painters—In a New Light", and in 2013, the National Museum of Women in the Arts in Washington, D.C. presented "A World Apart: Anna Ancher and the Skagen Art Colony".
==History==

The first notable artist to paint in Skagen was Martinus Rørbye (1803–1848), one of the central figures of the Golden Age of Danish Painting. His first visit was in 1833 but he returned towards the end of his life in 1847 and 1848. He is remembered in particular for his ''Men of Skagen on a Summer Evening in Fair Weather'' painted in 1848. Another marine painter, Vilhelm Melbye (1824–1822), visited Skagen in 1848, painting his ''View over Skagen''. According to Karl Madsen, the painter Peter Raadsig (1806–1882) also visited the town on several occasions between 1862 and 1870, painting the dunes and the fishermen. Christian Blache (1838–1920), another marine painter, first visited Skagen in 1869 when he painted his ''Grey Lighthouse''. It was as a result of his influence that the poet and dramatist Holger Drachmann first visited the town in 1871.〔
In the 1860s and 1870s, despite evolving trends in Europe, especially in Paris, embracing Realism and Impressionism, the Royal Danish Academy of Fine Arts and the Royal Swedish Academy of Arts refused to change their approach, insisting their students should continue to paint in the preferred styles of Historicism and Neoclassicism. Among those who were increasingly frustrated by this approach were Michael Ancher, Karl Madsen and Viggo Johansen who in the early 1870s were studying at the Royal Danish Academy in Copenhagen. Madsen, who had already visited Skagen in 1871 while staying with his uncle in nearby Frederikshavn, invited Ancher to join him there in 1874, to paint the local fishermen. He became a friend of the Brøndum family who had a shop with a bar which was soon extended to become ''Brøndums Gastgiveri'', a guest house. He was invited to their 15-year-old daughter Anna's confirmation and showed an immediate interest in her. The following year, he returned to Skagen with both Madsen and Viggo Johansen who had been strongly influenced by French Impressionism. In particular, Johansen began to paint open-air scenes combining Impressionism with Realism.〔
In 1876 and especially in 1877, several other artists spent the summer in Skagen, using the Brøndums' house for accommodation and their frequent gatherings. Michael Ancher made Skagen his new home. He became engaged to Anna Brøndum in 1878 and married her in 1880. Their home then became a focal point for the artists, especially after King Christian IX bought Ancher's painting ''Will He Round the Point?''. Anna Ancher first took a serious interest in painting after the artists began to stay in her family's inn, leaving their paintings to dry in their rooms when they left for the day. She studied them carefully and in 1875 attended Vilhelm Kyhn's art school in Copenhagen. She was later influenced by Christian Krohg who taught her the art of painting people in their everyday lives and making full use of colour. Krohg first came to Skagen in the summer of 1878, encouraged by Georg Brandes whom he had met in Berlin. He brought many of the latest international art trends with him, influencing the other members of the group. His encounters with the local population also exerted a strong influence on his own work.
In 1882, the Anchers travelled abroad. While they were in Vienna, they met P.S. Krøyer who informed them he would also be going to Skagen that year, despite the fact that Ancher was apparently not too keen to have him there. Krøyer, who had enjoyed close contacts with several Impressionist artists in Paris, immediately became the central member and unofficial leader of the artists' colony. In 1883, he created the "Evening Academy" where the artists gathered to paint and discuss each other's work, often enjoying champagne.〔Alba Schwartz, "Skagen – Den nye Tid i Oplevelser og Indtryk", Skagens Museum, 1992, pp 117–120. ISBN 978-87-983631-1-8〕 In 1884, the German painter Fritz Stoltenberg took photographs of the artists celebrating in the Anchers' garden, just after the couple had moved into their new home. One of these photos in particular inspired Krøyer to paint ''Hip, Hip, Hurrah!'', which took him four years to complete.〔〔(【引用サイトリンク】title=Hip, Hip, Hurray! )
In 1890, the railway's arrival in Skagen not only led to the expansion of the village but also brought in considerable numbers of tourists. It was largely responsible for breaking up the regular summer meetings of the artists as they could no longer find suitable accommodation or venues for their meetings. However, some of them purchased homes in Skagen: P.S. Krøyer in 1894, Laurits Tuxen in 1901 and Holger Drachmann in 1903.〔Mona Jensen (editor), "Danske kunstnerkolonier. Skagen. Fyn. Bornholm", Aarhus Kunstmuseums Forlag, 2000.〕
Anna and Michael Ancher, Krøyer and Tuxen continued to paint in Skagen until well into the 20th century and were occasionally joined by their earlier friends. Two core members of the group, Drachmann and Krøyer, died in 1908 and 1909, bringing the traditional gatherings of the group to an end. There were nevertheless other painters, sometimes referred to as the younger group of Skagen painters, who continued to visit the area. They included Jørgen Aabye, Tupsy and Gad Frederik Clement, Ella Heide, Ludvig Karsten, Frederik Lange and Johannes Wilhjelm, some of whom settled in the area until the 1930s or even later. Skagens Museum has a number of their works in its collection.
Another notable artist who visited Skagen from 1906 was J.F. Willumsen who painted ''Children Bathing on Skagen Beach'' in 1909.

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